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Clare "Tony" Atwood (11 May 1866 – 2 August 1962) was a British painter of portraits, still life, landscapes, interiors and decorative flower subjects. Atwood lived in a ménage à trois with the dramatist Christabel Marshall and the actress, theatre director, producer and costume designer from 1916 until Craig's death in 1947.Holroyd, Michael. A Strange Eventful History, Chatto and Windus, 2008 Review A Strange Eventful History: The Dramatic Lives of Ellen Terry, Henry Irving, and Their Remarkable Families by Michael Holroyd, Los Angeles Times, March 23, 2009 Charlotte Perkins Gilmore: Optimist Reformer, Jill Rudd & Val Gough (editors) University of Iowa Press, p. 90 (1999) Law, Cheryl. Suffrage and Power: the Women's Movement, 1918-1928 . i B Tauris & Co pg 221 (1997)


Early life
Atwood was born in 1866 at Richmond, London, the only daughter of Frederick Atwood, an architect, and his wife, Clara Becker. Named Clara at birth, she later used the form Clare and was also known as Tony. Atwood studied at Westminster School of Art and the Slade School of Fine Art.

Atwood first exhibited at the New English Art Club in 1893, becoming a member in 1912.

(1990). 9781851491063, Antique Collectors' Club.
She held an exhibition of her work at the Carfax Gallery in 1912. In 1917, during World War I, she was commissioned to paint war scenes for the Canadian Government through the Canadian War Memorials Fund. The Fund arranged for Atwood to visit the military camp at in Kent to gather ideas for the work. However, Atwood decided instead to paint a scene at one of London's main railway stations where troops were waiting for trains to take them to camps or to the front. During the war, Atwood was also commissioned by the Women's Work Sub-committee of the Imperial War Museum to produce several pieces depicting the activities of the Women's Voluntary Service. The most notable of these, Christmas Day at the London Bridge YMCA Canteen, records the visit of the actress and Princess Helena Victoria to a canteen. In 1920 she was commissioned for four more war paintings by the Imperial War Museum.Cockin, Katharine "Atwood, Clare (1866–1962)", Oxford Dictionary of National Biography, Oxford University Press, 2004, accessed 12 March 2010


Personal life
A , in 1916 she joined the writer Christabel Marshall and the actress and stage director in a ménage à trois at in until Craig's death in 1947, according to in his book A Strange Eventful History. She, Edith Craig and Christabel Marshall were friends with many artists and writers including lesbian novelist . Atwood designed props for several of Edith Craig's productions with the Pioneer Players, including the 16 foot high crucifix for their production of 's The Hostage. Atwood was a member of the Pioneer Players.Cockin, Katharine. Women and Theatre in the Age of Suffrage: The Pioneer Players, Palgrave (2001) Atwood occasionally performed at the Barn Theatre at in Kent, which was founded by Craig to stage performances in memory of her late mother, the actress . Atwood acted in the matinée at the Palace Theatre, London on 23 April 1929, held to raise funds for the Ellen Terry Memorial. In July 1932, Atwood decorated the shoe for Craig's production of The Shoe in Tenterden. After Craig's death, Atwood wrote an essay about Craig.Atwood, Clare. "Edy's Ways", Edy: Recollections of Edith Craig, edited by Eleanor Adlard (1949)


Death
Atwood suffered a fractured femur, senile and , and died at Kench Hill Nursing Home, Tenterden, Kent, on 2 August 1962. Marshall and Atwood are buried alongside each other at St John the Baptist's Church, . Craig's ashes were supposed to be buried there as well, but at the time of Marshall and Atwood's deaths, the ashes got lost and a memorial was placed in the cemetery instead. Edy was a Lady, by Ann Rachlin, Troubador Publishing Ltd, 2011, pg 62


Collections
Atwood's paintings are held in collections , the V&A and Imperial War Museum, Fenton House in London, as well as in the Victoria Art Gallery, Bath, , and . She exhibited at the , and in 1940 one of her paintings was purchased by the National Art Gallery of New Zealand.

There is material relating to Atwood held in the Collection at the V&A Department of Theatre & Performance Archive.


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